Composition tips

1. FILL YOUR FRAME

One of the most common mistakes made by budding photographers is that they do not fill the frame with their subject or the major elements of the image. Get in closer and exclude the parts that you don’t want. Open space serves no purpose when the subject is too small or cannot be identified.

2. HORIZONTAL VS VERTICAL

Camera manufacturers are to blame for this dilemma because all cameras are designed to be held in a horizontal format. It shouldn’t be an ‘either or’ situation but rather a ‘both and’. Try to shoot 50% of the time in both formats. There is no rule which is best and the key is to experiment.

3. DRAMATIC ANGLES

Shoot from high up or low down. Use your feet and move around the subject looking for an optimum angle. Don’t be afraid to get down on your stomach or climb a tree. Look for different and dramatic angles that will make your images more striking.

4. DON’T AMPUTATE

This means that you shouldn’t cut off part of your subject unless it is intentional to create an effect. Missing parts of people or objects irritate the viewer and create an incomplete image. It distracts the eye. So watch the edges of your image.

5. THE RULE OF THIRDS

Imagine a tic tac toe grid or noughts and crosses lines running across your image dividing it into thirds horizontally and vertically. Where the lines cross or intersect are the best placement points for your subjects or objects. Never place the horizon of a landscape image in the centre of your image. Always place it on a horizontal two thirds line. Subjects like lighthouses would be placed along one of the vertical two thirds lines.

6. LOOK FOR FRAMES

These come in two types, natural or man-made. Natural would be an opening in trees or a rock formation with a hole in it. Man-made frames are doorways, windows or arches. All of these help contain the subject or scene in a form that is very pleasing to the eye.

7. SIMPLIFY

Trying to include too much in an image often spoils it. An image that is cluttered causes the eye of the viewer to dart around the image trying to make sense of it. Less is more as the old adage goes. Eliminate anything that would distract the eye or is unnecessary to the memory you are attempting to create. 

8. WATCH YOUR BACKGROUND

Make sure that there is nothing there that would detract from your subject. Things like chimneys growing out of heads and other subjects diverting the eye from the main subject. You want balance by not going in too close but including enough of the environment of the subject or object to contextualise it.

9. LINES, PATTERNS AND SHAPES

Look for interesting patterns, lines and shapes. Lines lead the eye to focal points. A river, road, fence or path in a classic ‘s’ shape draws the eye along the route into your image. Strong verticals give height to your image and diagonals add depth. Turn your viewfinder allowing straight lines to travel from corner to corner in the image.

Key to great composing is thought. Think before your press the shutter button and consider all of these points. Create a mental check list to help you add these elements and create that great composition.